War Games | Robert Levers

War Games | Robert Levers

Opening Reception: September 15th from 5 to 8pm
September 8 - November 3

War Games features drawings, prints, and paintings by Robert L. Levers, a distinguished and well-loved University of Texas art professor who died in 1992. Selected works, culled from the artist’s private collection, trace his stylistic evolution from zany cartoons of soldiers created during the Vietnam War to a dramatic and skillfully rendered series of hapless terrorists inspired by the Gulf War. The game of football, with its pomp and ceremony and violent interplay, was also fair game to Levers’ critical eye. Included in the exhibition are his madcap cast of collegiate characters —cheerleaders, referees and fans in the stands—attempting to flee The University of Texas’ burning Memorial Stadium. A master draftsman and painter who anchored his work in satire and historical antecedents, Levers skillfully employed the human figure, along with a healthy dose of humor, throughout his long and successful artistic career.          - Peter Mears 

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2 comments

I learned a great deal from Bob in the short amount of time we worked together at Flatbed. I was such a “newbie” at collaborating when I met him. I’m not sure if I can put into words what I learned from him, but it had something to do with temperament, patience, evaluation and focus. He was very patient with me as I prepared and proofed the plates and he communicated so well what he wanted. There was no sense of egocentric behavior but instead he had working practical ideals and art standards for himself. On top of it all, he wanted to make work at Flatbed that stood for something beyond himself, beyond any moment in time. I was honored to work with him.
Katherine Brimberry
I learned a great deal from Bob in the short amount of time we worked together at Flatbed. I was such a “newbie” at collaborating when I met him. I’m not sure if I can put into words what I learned from him, but it had something to do with temperament, patience, evaluation and focus. He was very patient with me as I prepared and proofed the plates and he communicated so well what he wanted. There was no sense of egocentric behavior but instead he had working practical ideals and art standards for himself. On top of it all, he wanted to make work at Flatbed that stood for something beyond himself, beyond any moment in time. I was honored to work with him.
Katherine Brimberry

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